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zakruti.com » Knowledge, science, education » Music Matters
Modulation using the Neapolitan Chord - Music Theory

Modulation using the Neapolitan Chord - Music Theory

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Rating: 4.0; Vote: 1
Learn how to modulate using the Neapolitan chord, a more advanced modulation technique that allows you to move keys quite dramatically. In this music theory lesson we explain how to use the Neapolitan Chord as a means of modulating to a key five flats away from the starting key. We show you how to construct a Neapolitan Chord and how to make conventional use of it as a chromatic chord within a key. Then we demonstrate how the Neapolitan Chord can be used in order to modulate to a key five flats away from the starting key. This is a really useful technique for composers and arrangers, as well as helping performers and analysts to understand what is happening in the music they are performing. to modulation using the Neapolitan chord 2:15 - What is a Neapolitan chord? 4:21 - Modulation using the Neapolitan chord
Date: 2022-03-28

Comments and reviews: 10


I'm intrigued by the beauty of the Neapolitan chord. It is a magical gateway to modulate between Keys, even between distant ones (such as Eb Major and B minor). What I wonder is, WHY does it work so well? I know it does work, but is there a simple reason or reasons why, other than the fact that the N6 chord is chromatic with respect to either the original or -target- Key? I'd appreciate any input anyone could give me on this. :)
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A cool example of Neapolitan modulation is in Charles Ives' -Songs my mother taught me-.
It modulates from G major to B major using this progression: G - C - B.
The C pivot chord is an IV subdominant in G major but a Neapolitan in B major.
This is two bars after -another- modulation via a German augmented sixth!

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thank you for this amazing video! i would like to ask a question
when using chromatic chords(neapolitan chord, chromatic mediant and others ) what notes or what scale does the melody play? does it remain on C major(using this video as an example) or does it play the notes of the chromatic chord? thank you

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I realised recently, listening to -Joy Division Oven Gloves- by Half Man Half Biscuit, that it employs a Neapolitan 6th in the refrain (as a variant on a IV - V - I progression). I've made a lot of people glaze over trying to share my excitement over this.
Thank you for your videos.

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Not sure if I get it, but as a guitar player : Would it be like playing the I anywhere and just pretending it's III (Emajor) instead of I for a little while? By considering C-NapolianDflat as E-F, being in the harmonic scale? Super instructive these video's! Thank you so much!
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Thank you for providing a quantum leap in my understanding of more elements that help shape music composition. We all enjoy when you provide the beautiful aural examples demonstrating the techniques as well. Simply outstanding!
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Aha!-I was about to comment about this! lol! Once of my students had a modulation problem and we found that introducing the N6 formed the perfect window to escape and go on a little journey to our distant key. Thank you!
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If one was to include the note -b- into the d flat major chord to make it a dominant 7th with the notes f and b wanting to pull towards the e and c in the c major triad, would that still be considered a Neapolitan chord?
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I loved that lecturette. Keep it up Gareth- you are clearly a very bright man and also have a nice avuncular manner. I lived in Naples. How come I never came across if there in say Forcella!
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Than you for this great explanation. I came to you from Dre Babinski (Steady Holiday), who mentioned it in her newsletter - and now I know what does Neapolitan Chord do. Wonderful!
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