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zakruti.com » Knowledge, science, education » Crash Course
Bodies in Art: Crash Course Art History #11

Bodies in Art: Crash Course Art History #11

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In this episode of Crash Course Art History, we’ll hold a mirror to our bodiesin art, anyway. We’ll learn what portraits and self-portraits can tell us about the people they represent and about artists who’ve used bodies to critique their societies. Introduction: We All Have Bodies 00: 00 Portraits & Self-Portraits 00: 56 European Art & the Nude Figure 04: 10 Becoming an Image 07: 18 Olympia 08: 46 Review & Credits 11: 54 Image Descriptions: Sources: Support us for $5/month on Patreon to keep Crash Course free for everyone forever! Or support us directly: Join our Crash Course email list to get the latest news and highlights: Get our special Crash Course Educators newsletter: Thanks to the following patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Forrest Langseth, Emily Beazley, Neeloy Gomes, oranjeez, Rie Ohta, Jack Hart, UwU, Leah H, David Fanska, Andrew Woods, Stephen Akuffo, Ken Davidian, Toni Miles, AmyL, Steve Segreto, Kyle & Katherine Callahan, Laurel Stevens, Krystle Young, Burt Humburg, Perry Joyce, Scott Harrison, Alan Bridgeman, Mark & Susan Billian, Breanna Bosso, Matt Curls, Jennifer Killen, Jon Allen, Sarah & Nathan Catchings, Bernardo Garza, team dorsey, Trevin Beattie, Indija-ka Siriwardena, Jason Rostoker, Siobhán, Ken Penttinen, Barrett Nuzum, Nathan Taylor, Les Aker, William McGraw, Rizwan Kassim, Vaso, ClareG, Alex Hackman, Constance Urist, kelsey warren, Katie Dean, Stephen McCandless, Wai Jack Sin, Ian Dundore, Caleb Weeks __ Want to find Crash Course elsewhere on the internet Instagram - Facebook - Twitter - CC Kids:
Date: 2024-07-12

Comments and reviews: 3


THIS
I have been doing art for years and I try to include bodies like this in anyway I can. In my perspective, the nude body and it's language is the most vulnerable part about a person. We don't learn how to stretch or show expression we just do it, so painting the instincts of human nature to illicit a raw and intense reaction is what I strive to do. There's so much power that a painting like that can create and it's just so so freeing

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The idea that women are portrayed differently than men in arty is something I try to keep in mind while world building. If I make an artwork that is supposed to be from the view of a matriarchal artist, how would that affect how they see the world. What details would that artist include In a sense, the artist becomes their own character
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Completely unrelated but it's strange how in my mind that bang hairstyle so strongly reminds me Idina Menzel.
Back on topic, thank you (to the entire team) for making this content and all topics in crash course. It's very helpful to brains like mine that learn from instruction and not from text.

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