Digital Shape Carving with Scott Flanders - Proko
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Date: 2022-03-14
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Comments and reviews: 10
drawing
Revelation 9-
9 The fifth angel sounded his trumpet, and I saw a star that had fallen from the sky to the earth. The star was given the key to the shaft of the Abyss. 2 When he opened the Abyss, smoke rose from it like the smoke from a gigantic furnace. The sun and sky were darkened by the smoke from the Abyss. 3 And out of the smoke locusts came down on the earth and were given power like that of scorpions of the earth. 4 They were told not to harm the grass of the earth or any plant or tree, but only those people who did not have the seal of God on their foreheads. 5 They were not allowed to kill them but only to torture them for five months. And the agony they suffered was like that of the sting of a scorpion when it strikes. 6 During those days people will seek death but will not find it; they will long to die, but death will elude them. -
7 The locusts looked like horses prepared for battle. On their heads they wore something like crowns of gold, and their faces resembled human faces. 8 Their hair was like women-s hair, and their teeth were like lions- teeth. 9 They had breastplates like breastplates of iron, and the sound of their wings was like the thundering of many horses and chariots rushing into battle. 10 They had tails with stingers, like scorpions, and in their tails they had power to torment people for five months. 11 They had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon and in Greek is Apollyon (that is, Destroyer.
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Revelation 9-
9 The fifth angel sounded his trumpet, and I saw a star that had fallen from the sky to the earth. The star was given the key to the shaft of the Abyss. 2 When he opened the Abyss, smoke rose from it like the smoke from a gigantic furnace. The sun and sky were darkened by the smoke from the Abyss. 3 And out of the smoke locusts came down on the earth and were given power like that of scorpions of the earth. 4 They were told not to harm the grass of the earth or any plant or tree, but only those people who did not have the seal of God on their foreheads. 5 They were not allowed to kill them but only to torture them for five months. And the agony they suffered was like that of the sting of a scorpion when it strikes. 6 During those days people will seek death but will not find it; they will long to die, but death will elude them. -
7 The locusts looked like horses prepared for battle. On their heads they wore something like crowns of gold, and their faces resembled human faces. 8 Their hair was like women-s hair, and their teeth were like lions- teeth. 9 They had breastplates like breastplates of iron, and the sound of their wings was like the thundering of many horses and chariots rushing into battle. 10 They had tails with stingers, like scorpions, and in their tails they had power to torment people for five months. 11 They had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon and in Greek is Apollyon (that is, Destroyer.
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Jas
I pretty much focused on shapes and drafting for the last 15 years, and only now - although I took a pretty long pause - can I draft characters that seems to be able to -walk out of the page-. Fine art is great, but most poses are not that much narratively interesting, unless you're making a story about dancers, you know? I feel like a lot of comics are less and less readable as well. You have to take into account what's the actual print-size of your comic, and how printing defines the style so much (unlike video-games art for instance where the screen size can vary greatly. People don't understand, for instance, that Manga characters have massive eyes, extremely foreshortened anatomy, and intensively -overplayed- expression because mangas are printed at 1/4 the size of a regular European graphic novel! They need to be readable quickly. When I look at comic panels from DC or Marvel those days, they mostly don't ready well. I feel like a lot of it are structured to be flashy and look impressive on their own. When I look at some of my favorite artists like Julie Rocheleau and Karl Kopinsky for instance (who have to draw readable art printed smaller than a phone screen on playing cards, the way they use shape is everything.
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I pretty much focused on shapes and drafting for the last 15 years, and only now - although I took a pretty long pause - can I draft characters that seems to be able to -walk out of the page-. Fine art is great, but most poses are not that much narratively interesting, unless you're making a story about dancers, you know? I feel like a lot of comics are less and less readable as well. You have to take into account what's the actual print-size of your comic, and how printing defines the style so much (unlike video-games art for instance where the screen size can vary greatly. People don't understand, for instance, that Manga characters have massive eyes, extremely foreshortened anatomy, and intensively -overplayed- expression because mangas are printed at 1/4 the size of a regular European graphic novel! They need to be readable quickly. When I look at comic panels from DC or Marvel those days, they mostly don't ready well. I feel like a lot of it are structured to be flashy and look impressive on their own. When I look at some of my favorite artists like Julie Rocheleau and Karl Kopinsky for instance (who have to draw readable art printed smaller than a phone screen on playing cards, the way they use shape is everything.
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Ianthe22
That background music brought me back to the first -Conan the barbarian- comics and games like -another world-. Love the primal look. The only thing i didn't like were the big gray things moving up over the moon/sun. They are too big to be smoke or cloud things. They are too soft to be rock formations. If it was supposed to be tree trunks then the whole tree things framing the characters should be a lot more intense.
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That background music brought me back to the first -Conan the barbarian- comics and games like -another world-. Love the primal look. The only thing i didn't like were the big gray things moving up over the moon/sun. They are too big to be smoke or cloud things. They are too soft to be rock formations. If it was supposed to be tree trunks then the whole tree things framing the characters should be a lot more intense.
reply
Emaan
My glasses make me see chromatic abberration in everything. So used to seeing it that when I take them off and look carefully, I can still see it a bit. It's subtle, though, and in red and blue, so I have to look for it. I like this, adding it to the drawing. It would fit my style, be a bit of me. I'm stealing it.
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My glasses make me see chromatic abberration in everything. So used to seeing it that when I take them off and look carefully, I can still see it a bit. It's subtle, though, and in red and blue, so I have to look for it. I like this, adding it to the drawing. It would fit my style, be a bit of me. I'm stealing it.
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Mattia
You single-handedly rekindled my passion for drawing. I don't know how to explain this, but the first time i used this technique it -clicked- for me - i could see shapes in the formless blobs of colour and i knew how to give them form by using light. This video flipped my art on its head. Thank you so much!
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You single-handedly rekindled my passion for drawing. I don't know how to explain this, but the first time i used this technique it -clicked- for me - i could see shapes in the formless blobs of colour and i knew how to give them form by using light. This video flipped my art on its head. Thank you so much!
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The
Wow would never have thought about using the lasso tool for drawing. You know it works with a mouse too. Was just trying it out while my tablet was downstairs, and I produced some nice branch shapes. How do you fill without going over to the paint bucket tool. Have you got a fill shortcut or something?
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Wow would never have thought about using the lasso tool for drawing. You know it works with a mouse too. Was just trying it out while my tablet was downstairs, and I produced some nice branch shapes. How do you fill without going over to the paint bucket tool. Have you got a fill shortcut or something?
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COSMOS
Brilliant! but as it helps many people who do not speak ibgles. I think, and it would be good if they had subtitles in Spanish. not for me, no! but if for these people who do not practice English. thanks for your attention
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Brilliant! but as it helps many people who do not speak ibgles. I think, and it would be good if they had subtitles in Spanish. not for me, no! but if for these people who do not practice English. thanks for your attention
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handmade
can somebody pls tell me how to set up layers in layer panel so as him? it shows him close up only of active pixels in layers rather than whole canvas next to the layer names, that is real help when u dont name layers.
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can somebody pls tell me how to set up layers in layer panel so as him? it shows him close up only of active pixels in layers rather than whole canvas next to the layer names, that is real help when u dont name layers.
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handmade
The lasso is such an underrated tool. It bridges the lines of pencils and shapes of brushes. It-s a great way to learn to paint as well as for painting. I use it all the time and as much as I use brushes.
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The lasso is such an underrated tool. It bridges the lines of pencils and shapes of brushes. It-s a great way to learn to paint as well as for painting. I use it all the time and as much as I use brushes.
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COSMOS
Brilliant! it is very good to have that knowledge. But, I think it would also be good if it had subtitles in Spanish. I have friends who are deaf and don't know English. But the video is excellent.
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Brilliant! it is very good to have that knowledge. But, I think it would also be good if it had subtitles in Spanish. I have friends who are deaf and don't know English. But the video is excellent.
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