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What Is Good Art: Crash Course Art History #6

What Is Good Art: Crash Course Art History #6

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What makes some art valuable enough to hang in museums In this episode of Crash Course Art History, we’ll look at different ways we can figure out the value of art beyond the number on the price tag, and we’ll examine how culture, society, history, and storytelling influence how we evaluate artwork. Introduction: What Is Good Art 00: 00 Art & Beauty 00: 57 Art & Innovation 02: 09 Art & Lore: The Mona Lisa 04: 27 Art Criticism 05: 48 Clement Greenberg 07: 26 Art & Museums 08: 31 Review & Credits 10: 23 Image Descriptions: Sources: Crash Course is on Patreon! You can support us directly by signing up at Thanks to the following patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Leah H, David Fanska, Andrew Woods, DL Singfield, Ken Davidian, Stephen Akuffo, Toni Miles, Steve Segreto, Kyle & Katherine Callahan, Laurel Stevens, Burt Humburg, Perry Joyce, Scott Harrison, Mark & Susan Billian, Alan Bridgeman, Breanna Bosso, Matt Curls, Jennifer Killen, Jon Allen, Sarah & Nathan Catchings, team dorsey, Bernardo Garza, Trevin Beattie, Eric Koslow, Indija-ka Siriwardena, Jason Rostoker, Siobhán, Ken Penttinen, Nathan Taylor, Barrett & Laura Nuzum, Les Aker, William McGraw, Vaso, ClareG, Rizwan Kassim, Constance Urist, Alex Hackman, Pineapples of Solidarity, Katie Dean, Stephen McCandless, Wai Jack Sin, Ian Dundore, Caleb Weeks __ Want to find Crash Course elsewhere on the internet Instagram - Facebook - Twitter - CC Kids:
Date: 2024-05-30

Comments and reviews: 6


I cover this with my students when I talk about Michaelangelo and others from the Renaissance. Long story short they had standards. Then you get the impressionists and standards began to slowly fade. To the point today where are is all relative so someone can put a big rock someplace and call it art or have a blank white canvas and say it is art This may upset some folks, but think about this way. Are there any artists today that people will be familiar with 500 years from now and seen as genius the way we see the Renaissance artists My guess is no. There is always something to beauty in the eye of the beholder, but if we are honest with ourselves, there is also objectively amazing art and objectively bad art.
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Would love to hear your take on art and its location, and how location (space and setting, white cube vs. a wall at home, etc) can not only affect the perception of an artwork but also add to or subtract from its meaning. I wrote an essay on this topic a while back, but I’m curious to hear what others think. Always enjoy your contributions to the discourse of art!
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Pretty much anything that takes skill, time, and patience.
If it's a blank canvas painted a single color it isn't art, it's money laundering.
Art is creative expression. Nothing is creative about a single color canvas

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The problem is that I dont think words like good and bad apply to art. You can discuss whether art works or whether you like art. but I've never understood the concept of art being good.
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Lang wasn't going for beauty per-say but I will say that the photos themselves are still aesthetically pleasing to view and follow standard rules of composition and value.
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Liking it. Next question. The best pizza in the world is the one that the person eating it likes the most. This is true of art.
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