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zakruti.com » Knowledge, science, education » Crash Course
Why Is Everyone So Mad About Public Art: Crash Course Art History #16

Why Is Everyone So Mad About Public Art: Crash Course Art History #16

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From giant rock sculptures to Confederate statues, there’s something about public art that cranks up the temperature of debate. In this episode of Crash Course Art History, we’ll learn about public art’s diversity of media, how it shapes collective identity, and why it seems to cause such intense controversy. Introduction: Confederate Monuments 00: 00 What is Public Art 1: 13 Political Public Art 2: 33 Review & Credits 10: 28 Image Descriptions: Sources: Support us for $5/month on Patreon to keep Crash Course free for everyone forever! Or support us directly: Join our Crash Course email list to get the latest news and highlights: Get our special Crash Course Educators newsletter: Thanks to the following patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Emily Beazley, Brandon Thomas, Forrest Langseth, oranjeez, Rie Ohta, Jack Hart, UwU, Leah H, David Fanska, Andrew Woods, Ken Davidian, Stephen Akuffo, Toni Miles, Steve Segreto, Kyle & Katherine Callahan, Laurel Stevens, Krystle Young, Burt Humburg, Scott Harrison, Mark & Susan Billian, Alan BridgemEmily Beazley, Brandon Thomas, Forrest Langseth, oranjeez, Rie Ohta, Jack Hart, UwU, Leah H, David Fanska, Andrew Woods, Stephen Akuffo, Toni Miles, Steve Segreto, Ken Davidian, Kyle & Katherine Callahan, Laurel Stevens, Krystle Young, Burt Humburg, Scott Harrison, Mark & Susan Billian, Alan Bridgeman, Breanna Bosso, Jennifer Killen, Sarah & Nathan Catchings, Jon Allen, Bernardo Garza, team dorsey, Trevin Beattie, Eric Koslow, Indija-ka Siriwardena, Jason Rostoker, Ken Penttinen, Siobhán, Les Aker, Barrett Nuzum, William McGraw, Vaso, Nathan Taylor, ClareG, Constance Urist, Rizwan Kassim, Alex Hackman, kelsey warren, Katie Dean, Stephen McCandless, Wai Jack Sin, Ian Dundore, Caleb Weeks __ Want to find Crash Course elsewhere on the internet Instagram - Facebook - Twitter - CC Kids:
Date: 2024-08-17

Comments and reviews: 6


I mean, the public art people are upset at typically are of people who were absolute monsters, like slave owners. And yes, context matters for those. We do need to learn about them, but it needs to be in history books and museums, not in the form of statues since those tend to be understood as a way of elevating someone as important.
Like, idk, I understand not wanting to destroy history. But that’s not what’s happening when monuments to slavers and racists are removed from the public. The history still happened, but it needs to be properly taught.

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I don't share a family history with the people who are hurt by the southern public art nor do I share a family history with those who want to preserve those statues, but having something haunting disturbing to one group of people displayed on land that belongs to ALL the people doesn't fit the concept of a united land, I believe it's time to have a mature and open conversation about alternative ways to preserve the history without harming the people.
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Where I live, at least 1% of the total budget for the construction of new public buildings or spaces need to be dedicated to public art.
Only a tiny fraction of more than 1, 000 pieces are dedicated to remember dead people. Most of the pieces are abstract subject matter and a good portion doesn’t have a clear subject. They are just there to make the space more pleasant and introduce art in our daily lives.

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good stuff! I am generally on the side of recontextualizing public art with modern lenses. I don't think destroying historic monuments helps anyone, but we shouldn't allow old problematic ideas be maintained with excuse of preserving history. Contextualize the history so we can continue to grow without erasing the past.
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We've been moving statues the whole time, it's not a new thing. Every time a king died and a new one came, he used to change all the statues of his palace. Fun fact, he kept the old statues in a depot, maybe waiting for a new king to come. A good example of recycling. ;-)
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I think putting these Confederate statues in museums is the best solution. Learning about even the ugliest parts of one's country's history is important, and giving context to these works helps educate all of us, and to acknowledge wrongs done to minority groups.
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