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zakruti.com » Knowledge, science, education » Crash Course
Film & Literature: Crash Course Latin American Literature #12

Film & Literature: Crash Course Latin American Literature #12

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Rating: 4.0; Vote: 1
Lights, camera, action! Latin American literature intersects with all sorts of other kinds of art, including film. In this episode of Crash Course Latin American Literature, we explore the exchange between these two art forms, and how one piece of pop culture can help illuminate another. Introduction: At the Movies 00: 00 Manuel Puig 0: 35 Alberto Fuguet & McOndo 3: 49 Book-to-Screen Adaptations 7: 46 Review & Credits 10: 05 Sources: To learn more, check out these videos: Check out our CC Latin America Extra Curricular Playlist here: Support us for $5/month on Patreon to keep Crash Course free for everyone forever! Or support us directly: Join our Crash Course email list to get the latest news and highlights: Get our special Crash Course Educators newsletter: Thanks to the following patrons for their generous monthly contributions that help keep Crash Course free for everyone forever: Mitch Gresko, Roger Harms, Brandon Thomas, Ken Davidian, AThirstyPhilosopher, Michael Maher, Johnathan Williams, Chelsea S, oranjeez, EllenBryn, Katrix, Evan Nelson, Shruti S, UwU, Leah H, Allison Wood, Thomas Sully, Jennifer Wiggins-Lyndall, Dalton Williams, Quinn Harden, Chuck Smith, Andrew Woods, Kevin Knupp, Rie Ohta, Jason Terpstra, NassauLinda, Martin G. Diller, Matthew Fredericksen, Gina Mancuso, Elizabeth LaBelle, DexcilaDou, Barbara Pettersen, SpaceRangerWes, Emily Beazley, David Fanska, Reed Spilmann, Pietro Gagliardi, Jason Rostoker, Toni Miles, Les Aker, Alex Hackman, Liz Wdow, Wai Jack Sin, team dorsey, Rizwan Kassim, Eric Koslow, John Lee, Triad Terrace, Duncan W Moore IV, Matt Curls, ClareG, Emily T, Kristina D Knight, Stephen McCandless, Barrett, Bernardo Garza, Katie Dean, Laurel Stevens, Ian Dundore, Thomas, Trevin Beattie, Steve Segreto, Joseph Ruf, Nathan Taylor, Constance Urist, Jason Buster, Stephen Akuffo, Sarah & Nathan Catchings, Kyle & Katherine Callahan, Perry Joyce, Ken Penttinen, Tanner Hedrick, Scott Harrison, Jennifer Killen, Breanna Bosso, Alan Bridgeman, Siobhán, Krystle Young, Indija-ka Siriwardena, Samantha, Evol Hong, Tandy Ratliff, Erminio Di Lodovico, Luke Sluder, Caleb Weeks __ Want to find Crash Course elsewhere on the internet Instagram - Facebook - Bluesky - CC Kids:
Date: 2026-03-07

Comments and reviews: 5


As a Colombian, if I had to choose between the two, I would go with fantasy, magical realism, and imaginative storytelling over gritty realism. Of course, in an ideal world, we would not have to choose at all. But it is genuinely sad, even tragic, how much of the market is dominated by narco stories and grimdark realism. That tone has become so pervasive that even many TV comedies feel weighed down by it.
I still remember when shows like Tentaciones were common, when strange or magical things could simply happen and no one felt the need to overexplain them. The suspension of disbelief remained intact because the narrative trusted the audience. There was space for wonder, for the uncanny, for stories that did not feel trapped by violence or social decay. I miss that atmosphere.

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Unfortunately, the all-star cast (most of them non-Latine for some reason) couldn't rescue the terrible 1993 film adaptation of House of the Spirits (one of my favorite books of all time. I see there's a new Spanish-language adaptation; will have to check it out.
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Back in one of Spanish classes in college, I had to do a timed 7 minute research presentation on the history of McOndo, but I got so wrapped up in its lore that with 2 minutes remaining I hadn’t even made it halfway through my notes
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Appreciation for Crashcourse series like these. It blends Latin American history with current affairs all while we learn this through the large scope of literature. Certainly makes for interesting watches
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wait what the theatre I was literally just in has the kiss of the spider woman being performed soon, all the posters are about it. maybe I should go to it.
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