Dissecting The Camera: Crash Course Film Production #4
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Date: 2022-04-04
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Comments and reviews: 8
Nia
emulsion-film cameras are still cool, cos you can use lasers to capture a holographic bifringence pattern, for like holograms and stuff; or so I hear.
Imagine a feature-length holographic, Stop-motion film.
. with my limited understanding, I feel like it could be projected through a traditional projector yet result in a movie that appeared 3D without the need of glasses; and it would be a true-er 3D, because instead of just 2 overlapping images: it would be a near infinite number of near-identical images that are of the scene veiwed from different angles [instead of just the 2 (normally used) (which would also be more inclusive to one-eyed people, cos they could still look/glance side-to-side to get that fun illusion of depth without the two eyes that are normally required (I guess if a mono-cloptic person were The Flash and could move each lense of a pair of 3D glasses back-and-forth really impossibly super faster-than-sound fast while they tilted their angle of veiw slightly, they could still get some 3D but, it wouldn't be as fun nor easily achieved) in a hologram, there is better parallax, so you have more freedom to explore the image)] -- again, my knowledge is limited, but it's fun to think about! -
I want it so bad!
It would be SOOO cool!
Someone could entice Nintendo to make more of those little stopmotion Pikmin shorts, but film them under a holographic RGB set-up, and then have them released as little 1-reelers for home projectionist/hobbyists, and also for special events and whatnot, WOULDN'T THAT BE COOL?
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emulsion-film cameras are still cool, cos you can use lasers to capture a holographic bifringence pattern, for like holograms and stuff; or so I hear.
Imagine a feature-length holographic, Stop-motion film.
. with my limited understanding, I feel like it could be projected through a traditional projector yet result in a movie that appeared 3D without the need of glasses; and it would be a true-er 3D, because instead of just 2 overlapping images: it would be a near infinite number of near-identical images that are of the scene veiwed from different angles [instead of just the 2 (normally used) (which would also be more inclusive to one-eyed people, cos they could still look/glance side-to-side to get that fun illusion of depth without the two eyes that are normally required (I guess if a mono-cloptic person were The Flash and could move each lense of a pair of 3D glasses back-and-forth really impossibly super faster-than-sound fast while they tilted their angle of veiw slightly, they could still get some 3D but, it wouldn't be as fun nor easily achieved) in a hologram, there is better parallax, so you have more freedom to explore the image)] -- again, my knowledge is limited, but it's fun to think about! -
I want it so bad!
It would be SOOO cool!
Someone could entice Nintendo to make more of those little stopmotion Pikmin shorts, but film them under a holographic RGB set-up, and then have them released as little 1-reelers for home projectionist/hobbyists, and also for special events and whatnot, WOULDN'T THAT BE COOL?
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flmvdvsrg
As a film student, as far as theory regarding this topic goes, this is pretty much what you need to be as good as anyone going to film school. Just remember most of it is actually going out there, make short films and share them with the rest of the class. Everything explained here might take a day of class at most, the rest is hard work. Also they lend you the equipment. But as far as explanation goes, CrashCourse has enough good stuff to get you started.
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As a film student, as far as theory regarding this topic goes, this is pretty much what you need to be as good as anyone going to film school. Just remember most of it is actually going out there, make short films and share them with the rest of the class. Everything explained here might take a day of class at most, the rest is hard work. Also they lend you the equipment. But as far as explanation goes, CrashCourse has enough good stuff to get you started.
reply
Jared
I-m loving this video series! Comment for 3: 10, the shutter SFX was distracting from your voice, which was supposed to be the focus. I would have only added like 2-4 shutter sfx - thank you for the content! Excited for the rest! I-m currently lead producer/screenwriter for a short film and I-m excited to see it come to life
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I-m loving this video series! Comment for 3: 10, the shutter SFX was distracting from your voice, which was supposed to be the focus. I would have only added like 2-4 shutter sfx - thank you for the content! Excited for the rest! I-m currently lead producer/screenwriter for a short film and I-m excited to see it come to life
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Emil
You forgot to mention the person resposable for putting up the so called -Video Village- and put up all the different monitors for the crew and also is responsible for recording playback and providing instant playback to the director.
The so called Video Assist Operator, or Video Assist for short -raises hand-
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You forgot to mention the person resposable for putting up the so called -Video Village- and put up all the different monitors for the crew and also is responsible for recording playback and providing instant playback to the director.
The so called Video Assist Operator, or Video Assist for short -raises hand-
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FlesHBoX
You have to keep in mind that 50mm is only equivalent to human eye vision on a full frame (25mm) film/sensor size. With APS-C sized sensors, a 35mm lens is equivalent to human vision.
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You have to keep in mind that 50mm is only equivalent to human eye vision on a full frame (25mm) film/sensor size. With APS-C sized sensors, a 35mm lens is equivalent to human vision.
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eric
Isnt the standard for cine lenses t stops rather than f stops? F stops measuring the opening of the aperature and t stops measuring the amount of light that is let through the aperature
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Isnt the standard for cine lenses t stops rather than f stops? F stops measuring the opening of the aperature and t stops measuring the amount of light that is let through the aperature
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Kristin
I was super excited that you featured Lily Gladstone in this! I dunno if this is a one time thing, but it made me that much more interested in the video!
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I was super excited that you featured Lily Gladstone in this! I dunno if this is a one time thing, but it made me that much more interested in the video!
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Danny
Make a video about renting gear for a production! Talk to KitSplit. com, they-ll be pumped to help with something like that!
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Make a video about renting gear for a production! Talk to KitSplit. com, they-ll be pumped to help with something like that!
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