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zakruti.com » Knowledge, science, education » Music Matters
Serialism & Serial Music Explained - Music Theory

Serialism & Serial Music Explained - Music Theory

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Rating: 4.0; Vote: 1
Serialism and Serial Music explained, with an insight into serialism composition rules and techniques. Always wanted to understand Serialism or Twelve note tone rows? All evolved by the composers of the Second Viennese School, led by Arnold Schoenberg. In this music theory lesson you will learn how Serialism works - a method of giving each semitone of the scale equal significance by ordering every note within an octave in a particular way then using the -row- of notes forwards, backwards, upside down, upside down and backwards, in any transposition of the above to form melodic lines and harmony. The impact is atonal because the whole point is not to imply any suggestion of a major or minor key. In this music theory lesson you will learn how it works, how to analyse Serial music and how to write it. to serialism and serial music 1:50 - An example of a note row 2:30 - Using your note row 4:08 - Tips for composers
Date: 2022-03-28

Comments and reviews: 7


ok-but not all serial music is twelve-tone. I think that this video would be a better characterization of dodecaphonic/twelve tone music than -serialism-. Also, I think that the characterization of Schoenberg's -rigid- use of the twelve-tone system is inaccurate, as he frequently repeats notes from earlier in the series in his twelve-tone works.
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Is this type of music meant to be enjoyed by a casual listener like me or is it more for musicians and composers to do cool stuff with? I only ask because a lot of this and contemporary classic music makes me very uncomfortable.
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I'm also trying to compose non-integral serial / dodecaphonic music. I have a question: in the composition the pitch of the notes must be the same as that of the series or can I change the octave? Thanks in advance
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I understand Schoenberg's ears guided his selection of tone rows. I wonder if he (our anyone) ever found a row he wanted to work with, but just didn't find the retrograde (say) good enough.
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I know next to nothing about music. Why are there 12 notes in a -scale-? Is there something fundamental about this or is it just a convention?
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There are only 11 out of 12 notes here. Your lowest note is f# so that's 0. You should also have f# 12 am I right or is that different?
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Please show more of this. I'd love to see any examples of the inverted intervals used/played backward, forward, or very freely.
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