
How this Cardboard Sculptor Makes Lifelike Human Statues - Obsessed
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Date: 2022-07-07
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Comments and reviews: 10
Tal-Betal
Awesome! Very inspirational talk! Liked the style of approach towards a sculpture with so much of consideration left for the viewers to fill in through the perforations and sense the ecstacy of the art. Usually, 3D sculptures are to be viewed 360 degree. Here you add another dimension to your art to make it 4D(if I may be allowed to. Thanks to you and your art!
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Awesome! Very inspirational talk! Liked the style of approach towards a sculpture with so much of consideration left for the viewers to fill in through the perforations and sense the ecstacy of the art. Usually, 3D sculptures are to be viewed 360 degree. Here you add another dimension to your art to make it 4D(if I may be allowed to. Thanks to you and your art!
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Maximus
imagine displaying in an area people visit with their kids and spoiled brats start attacking the sculptures with their fingers and irresponsible self entitled parents laughing and gently telling their kids -don't touch thaaaaat- and laughing. but damage will be done no matter what, OH well.
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imagine displaying in an area people visit with their kids and spoiled brats start attacking the sculptures with their fingers and irresponsible self entitled parents laughing and gently telling their kids -don't touch thaaaaat- and laughing. but damage will be done no matter what, OH well.
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BarronTheNobleman
You guys did a whole 10 minute video on him and his cardboard sculptures but couldn-t even put the mans name in the title. Why couldn-t it have been -How James Lake uses cardboard to make lifelike sculptures-. Impressive video nonetheless
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You guys did a whole 10 minute video on him and his cardboard sculptures but couldn-t even put the mans name in the title. Why couldn-t it have been -How James Lake uses cardboard to make lifelike sculptures-. Impressive video nonetheless
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dimitreze
great technique but the sculptures are just ordinary
people standing, people reaching, people watching the phone
it happens a lot with artists that have a different technique. they tend to think that the technique is enough
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great technique but the sculptures are just ordinary
people standing, people reaching, people watching the phone
it happens a lot with artists that have a different technique. they tend to think that the technique is enough
reply
ElmwoodParkHulk
I would think it's not archival. I would think unless it's sealed, over time it will warp then eventually disintegrate into dust. but hey eventually everything does, even the finest paintings will fail. Talent off the scale.
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I would think it's not archival. I would think unless it's sealed, over time it will warp then eventually disintegrate into dust. but hey eventually everything does, even the finest paintings will fail. Talent off the scale.
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Ben
I got most of the way through the video before noticing that James only has one leg
Edit: I noticed literally just before he mentioned it
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I got most of the way through the video before noticing that James only has one leg
Edit: I noticed literally just before he mentioned it
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joseph
I really thought that hand was flipping me off through out the video. Had to look at my on hands to know it's pointing at something.
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I really thought that hand was flipping me off through out the video. Had to look at my on hands to know it's pointing at something.
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VinnY
It's pretty admirable how he didn't turn this whole thing into a pity party over his missing leg. Take some notes.
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It's pretty admirable how he didn't turn this whole thing into a pity party over his missing leg. Take some notes.
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Zaniyah
The tangy alibi empirically bat because eyebrow compatibly close amid a craven front. abortive, jealous mitten
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The tangy alibi empirically bat because eyebrow compatibly close amid a craven front. abortive, jealous mitten
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TVG
I love different types of art but this looks like a pain in the rear to even attempt this at this level
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I love different types of art but this looks like a pain in the rear to even attempt this at this level
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