
Drawing a Stylized Portrait (NO SHADING) - Proko
video description
Date: 2022-03-14
Comments and reviews: 10
ser
17: 30 to 18: 08 that is why you always take a fresh look at your work. Making little adjustments like that are honestly one of my favorite moments in the journey of each piece.
I like taking pictures of the work throughout the process. You can see the big difference the adjustments you make have on your work. I catch a lot of mistakes just walking around my house taking breaks from my drawing and looking at the smaller image on my phone.
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17: 30 to 18: 08 that is why you always take a fresh look at your work. Making little adjustments like that are honestly one of my favorite moments in the journey of each piece.
I like taking pictures of the work throughout the process. You can see the big difference the adjustments you make have on your work. I catch a lot of mistakes just walking around my house taking breaks from my drawing and looking at the smaller image on my phone.
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Layla
The sketch is very appealing and just altogether great, I'm currently trying to become a better artist, and these videos have both inspired me and helped me with improving my skills in drawing so that I can become a professional artist one day in the future, it'll be a long journey but I'm getting there. Thank you Stan and keep up the great work! :)
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The sketch is very appealing and just altogether great, I'm currently trying to become a better artist, and these videos have both inspired me and helped me with improving my skills in drawing so that I can become a professional artist one day in the future, it'll be a long journey but I'm getting there. Thank you Stan and keep up the great work! :)
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juneru
17: 01 i recently noticed that the number 1 thing i see most artists get wrong are the eyes. from beginners to pros, it's a problem that transcends so many different styles, too. it's difficult to get the eyes aligned, spaced and sized properly from various angles, but they're the most important feature of the face to get right.
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17: 01 i recently noticed that the number 1 thing i see most artists get wrong are the eyes. from beginners to pros, it's a problem that transcends so many different styles, too. it's difficult to get the eyes aligned, spaced and sized properly from various angles, but they're the most important feature of the face to get right.
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Giants
I really would have liked to hear your thoughts on the direction of his gaze. In the photo he's looking straight ahead into the distance. In the drawing he's looking back in the direction of the viewer.
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I really would have liked to hear your thoughts on the direction of his gaze. In the photo he's looking straight ahead into the distance. In the drawing he's looking back in the direction of the viewer.
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Scott
Proko, thank you so much for sharing this. It was great fun. This is exactly the style I want to be able to accomplish. Do you have a course/lesson on this style or hatch work?
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Proko, thank you so much for sharing this. It was great fun. This is exactly the style I want to be able to accomplish. Do you have a course/lesson on this style or hatch work?
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Nyadam
In these drawings Marshal's on the right side and Stan's on the left. They need to flip it to match the actual positions they sit in while recording draftsmen.
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In these drawings Marshal's on the right side and Stan's on the left. They need to flip it to match the actual positions they sit in while recording draftsmen.
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Ian
Thanks Proko! What factors play into your decision to use graphite over charcoal in this image? What about vice a versa when you choose to use charcoal over graphite?
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Thanks Proko! What factors play into your decision to use graphite over charcoal in this image? What about vice a versa when you choose to use charcoal over graphite?
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Swap
It doesn't match one to one and yet it looks like the subject. What features have to be exactly accurate to achieve a decent likeness and what can be exaggerated?
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It doesn't match one to one and yet it looks like the subject. What features have to be exactly accurate to achieve a decent likeness and what can be exaggerated?
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miller13ico
It's amazing other's render portraits with no likeness, and seemingly good proportions, and you capture likeness so well, I'm back to the woodshed.
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It's amazing other's render portraits with no likeness, and seemingly good proportions, and you capture likeness so well, I'm back to the woodshed.
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Giants
When you mentioned the noise coming through and the textured quality of the Fetchin linework, was that caused by the texture of the paper?
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When you mentioned the noise coming through and the textured quality of the Fetchin linework, was that caused by the texture of the paper?
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