Choral Music Notation - Music Theory
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Date: 2022-03-28
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Comments and reviews: 6
OneEye
it's just easier..I actually started on a FLUTE...so got used to reading notes on the treble
or ABOVE the lines.Then I transfer to a TENOR SAX. I sort of struggle reading notes BELOW the lines..and of course my music teacher had the bright idea that I should play the TUBA SAX ( i suppose he taught more variety of instrument in our concert/marching band would be better)...So I had learn how to read on the BASS clef.
i thought it was a SHORE..but it help me over all as a musician.
As a conductor...he would had to read everything in multiple octaves from multiple
instruments....
He also had another student play the FRENCH Horn...
Everything..she was reading was in a DIFFERENT KEY..becuase her instrument
was tuned to a different KEY than mine...So he also had to TAKE the time to explain
to her ...and me...and the rest of kids that was struggling.
But...he would get us to ALTER or play different instruments as the years go on..
But he taught all of us from early childhood ( 2nd grade through High school)
He was a good music teacher ( at the time I didnt think so.lol)
Later in life I record my own music...There's all kinds of stuff happening in multiple
octaves,..MULTIPLE TRACKS... different instruments. ect
Then I learn about CLIPPING..Sound waves canceling out other sound waves.
I suppose back in the days...They had to use a crap load ( flutes/violins) to
PUNCH THROUGH.over the BASS.
I play the electric guitar...when live...I'll use a BOOST or chorus...
but the chorus has to hook to multiple speaker OUT PUT..to make it sound FULLER.
Higher or distortion sound waves are THINNER.
Some people...double track for recordings to solve clipping.
reply
it's just easier..I actually started on a FLUTE...so got used to reading notes on the treble
or ABOVE the lines.Then I transfer to a TENOR SAX. I sort of struggle reading notes BELOW the lines..and of course my music teacher had the bright idea that I should play the TUBA SAX ( i suppose he taught more variety of instrument in our concert/marching band would be better)...So I had learn how to read on the BASS clef.
i thought it was a SHORE..but it help me over all as a musician.
As a conductor...he would had to read everything in multiple octaves from multiple
instruments....
He also had another student play the FRENCH Horn...
Everything..she was reading was in a DIFFERENT KEY..becuase her instrument
was tuned to a different KEY than mine...So he also had to TAKE the time to explain
to her ...and me...and the rest of kids that was struggling.
But...he would get us to ALTER or play different instruments as the years go on..
But he taught all of us from early childhood ( 2nd grade through High school)
He was a good music teacher ( at the time I didnt think so.lol)
Later in life I record my own music...There's all kinds of stuff happening in multiple
octaves,..MULTIPLE TRACKS... different instruments. ect
Then I learn about CLIPPING..Sound waves canceling out other sound waves.
I suppose back in the days...They had to use a crap load ( flutes/violins) to
PUNCH THROUGH.over the BASS.
I play the electric guitar...when live...I'll use a BOOST or chorus...
but the chorus has to hook to multiple speaker OUT PUT..to make it sound FULLER.
Higher or distortion sound waves are THINNER.
Some people...double track for recordings to solve clipping.
reply
PabloD120
Wonderful explanation - this goes a long way towards demystifying the score - which can appear so intimidating and complex on first glance! Also, you really explain the differences between the short score and open score. Just terrific - thank you as always for such a wonderful lesson!!
reply
Wonderful explanation - this goes a long way towards demystifying the score - which can appear so intimidating and complex on first glance! Also, you really explain the differences between the short score and open score. Just terrific - thank you as always for such a wonderful lesson!!
reply
Randolph
Another great video! There are other clefs that were previously used that still seem like they would be useful for choral singing: the tenor and alto clefs, for example. Do you know why these have fallen into desuetude, at least for choral singing?
reply
Another great video! There are other clefs that were previously used that still seem like they would be useful for choral singing: the tenor and alto clefs, for example. Do you know why these have fallen into desuetude, at least for choral singing?
reply
James
Great explanation, thank you.
In the initial piano part, as shown, why are there two bass clefs within the braces, rather than a treble and bass as there is in the subsequent bars?
reply
Great explanation, thank you.
In the initial piano part, as shown, why are there two bass clefs within the braces, rather than a treble and bass as there is in the subsequent bars?
reply
Stephen
Hi, Please, why does convention for open score write the tenor part in treble clef rather than bass clef to avoid need for the octave transposition?
reply
Hi, Please, why does convention for open score write the tenor part in treble clef rather than bass clef to avoid need for the octave transposition?
reply
David
Another excellent lesson. Interesting discussion of when soprano alto tenor bass should be assigned to two versus four staves
Thanks!
reply
Another excellent lesson. Interesting discussion of when soprano alto tenor bass should be assigned to two versus four staves
Thanks!
reply
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