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zakruti.com » Knowledge, science, education » Music Matters
Grade 2 Music Theory - Major Keys & Scales

Grade 2 Music Theory - Major Keys & Scales

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Rating: 4.0; Vote: 1
Major keys and scales. Learn the patterns for writing out any major scale as well as figuring out major key signatures and tonic triads. Suitable for candidates preparing for ABRSM Grade 2 music theory. Tonality is the musical concept of a hierarchy of pitches related to a centre pitch, or tonic. This music theory lesson explains how major keys and scales work. Major scales can begin on any note and always follow the same pattern of tones and semitones - Tone, Tone, Semitone, Tone, Tone, Tone, Semitone. These pitches span an octave, with the first and last note being the tonic. Creating a major scale on C (C, in this case, is the Tonic), the major scale (C major) would consist of the following notes: C, D, E, F, G, A, B, C. Creating a major scale on Eb (Eb, in this case, is the Tonic), the major scale (Eb major) would consist of the following notes: Eb, F, G, Ab, Bb, C, D, Eb. Some scales use sharps and some scales use flats. Music that is based on a major scale is said to be 'in' that key. For example, 'in A major', 'in C- major'. It is likely that for a piece in G major, nearly all F's will be sharp. Instead of writing the accidental in front of every sharp F, we can use a key signature to show that all F's are sharp. We can write a key signature for any scale and key. to major keys and scales 0:43 - The major scale pattern 2:46 - Writing out major scales 14:13 - Descending scales 16:50 - Key signatures 21:32 - Tonic triads - Grade 2 Music Theory Course
Date: 2022-03-28

Comments and reviews: 10


The problem with using the term 'tone' (or semitone) to explain an interval is that a tone is fully defined by just a single note, i.e.a tone is a pitch. An interval requires two notes (two tones) to define it so better to use the term 'step' (whole step and half step) when talking about intervals - a whole step or a half step. Use single letters W and H ( or h) it's clearer than using T and ST, A sequence like T T ST T looks like there are 5 notes rather than the intended 4. Hearing him say -F# to G is a semitone rather than a tone- just grates with me. Don't use 'tone' or semitone' to explain the concept of a trajectory from one tone to another tone (one note to another note). Use 'step' to convey that concept of trajectory.
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I really enjoyed it, I started playing the piano 3 years ago, but just by playing the notes, I also know where the notes are on the piano, so it's simple for me, but I can't read the scores nor the theory of music, my plan is to learn until April, because my parents want to give me a violin, you speak well and this is the only video I could learn well, thank you very much.
I'm from Brazil, I will do my best, muito obrigada pelos videos!

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I haven't seen any video lesson on teaching scale sequencing patterns that were used by classical violinist like playing a major scale in 3rds, 4ths, etc or playing a major scale going up 3 notes move back down one note and got up 3 notes, these types of scale sequencing patterns were used often in violinist playing scales. Can you make a video lesson teaching about these scale sequencing patterns that were used in the classical periods?
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You only went over it for a second - but one critical thing I picked up on is why you would choose between C- and D-. While they are the same thing, your approach just made sense to me - -you are needing to change the C, so you wouldn't say D-, you would say C-.- Love it. I will absolutely be looking into your website for paid courses.
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Thanks a lot , I hope there-s a complete university course on music , even if it take years to upload a video .
theres a many videos , a bunch of lessons out there but no order, very confusing what to follow and how to study .

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Brother where have you been all my life, I wish you had been my music teacher at school!
Saving up for the grade bundle on the site, can't wait!

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Am I missing something? You have written TTSTTTTST but isn't that 1 T too many before the 2nd S? I love your teaching but this is confusing me.... -
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In America, we talk about whole steps and half steps, so the pattern for major scales is whole, whole, half, whole, whole, whole, half, or WWHWWWH.
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Why was B flat written on a bass clef stave and the E flat on a treble clef stave? If it's for variety, then your variety has left me confused.
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Your a little slow for me so I just put your video at 1.50 speed. Nothing wrong, I'm just a faster learner. Great tutorial though for others. Thx
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