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zakruti.com » Knowledge, science, education » Music Matters
A Beginner's Guide to Four-Part Harmony - Music Theory

A Beginner's Guide to Four-Part Harmony - Music Theory

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Rating: 4.0; Vote: 1
Beginner's guide to four-part harmony. This music theory lesson explains the basics of how to write four-part harmony to fit with a given melody. Often people can write a tune they are happy with but they are not sure which chords to use and how to write those chords. This video provides a step by step guide through the basics of how to do this. You will soon be choosing chords that work really well with your melodies and learning how to choose the chords that sound good. to four-part harmony 0:54 - Getting the basic triads 2:45 - Which chords can you use? 6:13 - Thinking about cadences 10:05 - Chord options 13:14 - Deciding which chord to have 15:13 - Writing in the notes 19:14 - Chord inversions 26:42 - What does it all sound like?
Date: 2022-03-28

Comments and reviews: 10


This is exactly what I have been searching for. I've been tasked (self-tasked, actually) to write the vocal arrangements for my Country Rock band. I don't read music but have a good ear. I can always figure out the melody and first harmony easily, but the 2nd harmony is sometimes a challenge, and a 3rd harmony? Well that's no man's land to a guy with limited musical acumen. Heck, I may actually start to learn to read music and play some basic piano; two things that are on my bucket list. Thanks so much.
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Very helpful. May I suggest including a phrase ending imperfect also so students see what you mean, though you explain well by playing on keyboard. Or display temporarily some written imperfect cadences, one of each I-V II-V IV-V. Also, for demonstration purposes, an interrupted cadence could have been used in bar 2. Other than that, really helpful. Going to use to help students who come to me for help. Many thanks.
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Hi Gareth. I haven't had any knowledge of inversions apart from where they start 3rd or 5th and follow on in the ascending order. In C 1st inversion E-G-C, this is what I concluded but not learned. So I wasn't aware that one can put the 3rd in the bass and then arrange the others in any order one likes. Never stop learning! That's why I'm here. Thanks again.
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I-ve been an untrained songwriter and musician arranging harmonies by ear and brute force since the -80s, but I got halfway smart a few years ago and started learning theory; I can-t believe it-s taken this long to stumble across a harmony primer as clearly, succinctly and elegantly presented as this. Thank you so much.
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This is such a brilliant video, thank you. You cover so much, so simply, in such a short space of time. I did grade 5 theory, but it-s only years later, watching this video, that things have clicked! I love it and have super thanked you, as I-m sure I will return to this video. :)
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Hi Gareth. When I first heard you play the plagal cadence (IV) to the (I) I thought of Amen at the end of a hymn. I just read that this is sometimes called an Amen Cadence. I don't remember you mentioning it, but is that correct? Thanks in advance.
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Very good and very clear explanation. Excellent - as usual. The only note which doesn't get harmonised is a B!
B does not occur in the melody - I guess that's dealt with in another video.

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Instead of actually thinking about chords first could another approach have been to maybe write a bassline against your initial melody and thereafter fill in the 2 other voices?
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I didn't realize you can place the F in the root position and have to other notes in any order, I thought it would be F-A-C, well never stop learning.
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I really like that: perfect and plagal cadences as a full stop. Imperfect cadences as a comma. And interrupted cadences as a question mark.
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