Extended Chords Made Clear - Music Theory
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Date: 2022-03-28
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Comments and reviews: 6
Phanes
Well, that's extremely useful. You'd think it would be obvious that you could leave some notes out of a 13th chord, but that thought had never occurred to me. Not to make you blush, but that you can explain this so simply does mean you're actually a musical genius. I learn more from your short videos than I have from hours of reading music theory. Thank you!
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Well, that's extremely useful. You'd think it would be obvious that you could leave some notes out of a 13th chord, but that thought had never occurred to me. Not to make you blush, but that you can explain this so simply does mean you're actually a musical genius. I learn more from your short videos than I have from hours of reading music theory. Thank you!
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education
I don't think this is correct. Extensions are built off the tonic of the chord not the key. For example he plays iii, -Emin9-, as an Emin(flat9). It should have an F# as the 9th instead of an F. A major 9th rather than a minor 9th. Extensions, unless altered, always have a major 9th, perfect 11th, and major 13th.
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I don't think this is correct. Extensions are built off the tonic of the chord not the key. For example he plays iii, -Emin9-, as an Emin(flat9). It should have an F# as the 9th instead of an F. A major 9th rather than a minor 9th. Extensions, unless altered, always have a major 9th, perfect 11th, and major 13th.
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Soul
I hope you don't mind me asking....i have a question about secondary dominants. In the key of C, we have Bmin7b5.....some people say the secondary dominant of this chord would be F sharp7, but if the chord is diminished...wouldn't it be the secondary dominant F7 instead? Would really appreciate your input. Cheers!
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I hope you don't mind me asking....i have a question about secondary dominants. In the key of C, we have Bmin7b5.....some people say the secondary dominant of this chord would be F sharp7, but if the chord is diminished...wouldn't it be the secondary dominant F7 instead? Would really appreciate your input. Cheers!
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Steve
Thank you very much; I found that tutorial both interesting and helpful. However, if I have understood correctly, I would point out that your commentary describes a 'sparse' V-13 consisting of the root, 3rd, 7th and 11th whilst actually fingering the root, 3rd, 7th and 13th (I think!).
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Thank you very much; I found that tutorial both interesting and helpful. However, if I have understood correctly, I would point out that your commentary describes a 'sparse' V-13 consisting of the root, 3rd, 7th and 11th whilst actually fingering the root, 3rd, 7th and 13th (I think!).
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Beril
this was so very helpful. I am a novice in music theory and even though I had a great start I was greatly intimidated by chord construction. Your explanation in this video helped me tremendously. Thank you for providing us with such valuable info.
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this was so very helpful. I am a novice in music theory and even though I had a great start I was greatly intimidated by chord construction. Your explanation in this video helped me tremendously. Thank you for providing us with such valuable info.
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Sawan
Nice ...... & where to use 6-7-9-11-13 instead of simple C & how to Pick ryt extended chords which going to suits melody ??? Plz rply
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Nice ...... & where to use 6-7-9-11-13 instead of simple C & how to Pick ryt extended chords which going to suits melody ??? Plz rply
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