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zakruti.com » Knowledge, science, education » Music Matters
Serial Style - Composing for the Piano

Serial Style - Composing for the Piano

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Rating: 4.0; Vote: 1
In this episode of composing for the piano, we explore how to present the Music Matters theme in Serial style. Serialism is not to everyone-s taste but this video begins with an explanation of the Serial technique and how it has been applied in this case. There follows an explanation of the composition put together by Gareth based on the Music Matters theme. The score is on the board, along with all the versions of the note row being used. to the piece 0:41 - How serialism works 2:11 - Adapting the Music Matters theme into a serial style melody 3:30 - Interval-preserving transformations 4:44 - Writing a piece in a serial style 6:57 - What does it sound like?
Date: 2022-03-28

Comments and reviews: 10


I'm curious about your experience of the composition process. Did you write bits, play a fragment, -that sounds ok-, maybe make some changes, write a bit more, experiment a bit, etc. Or did you just write it out without audition, based on the formulae, and then were surprised when you eventually played it. Or is your -inner ear- so good that you could imagine the result as you wrote it without actually touching a keyboard ! Just curious really - I can't imagine putting much effort into this style for myself - it is intellectually interesting but ultimately leaves me cold. Thanks though - it was enlightening !
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FAB Video Tutorial, the music sound amazing with many foreseeable applications in outside of classical music. But for STRICT Classical music, can a note whilst being held in the Treble clef, such as dotted minim on pitch D-Flat, played on the first beat of the bar. Can that D-flat have a LATE Accompaniment of the same D-Flat note... in the BASS as a Bass Chord Note on the second beat of the bar. Either as a Late Unison Note. or a Late Octave accompaniment. Many advance thanks in anticipation of a reply. Posted 18th February 2020
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Thanks for this video. I am however still bemused that serialism is regarded as anything more than a historical curiosity, not because of the dissonance as such (there are 2 distinct ways to organise a note row into 2 major and 2 minor chords) but because of how much it hobbles one's potential range of expression. It seems to be good for evoking emotional states related to uncertainty, and not much else.
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Dear sir, I got confused with your RI. In RI, You retrograded (reversed) the INVERSION part. RI = Backward of an original (row tone), that becomes a -Retrograde- and finally, het the inversion of the same retrograde. Pls correct and guide my confusion. Thank you.
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Kinda spooky but so titillating for adventurous tastes... wonderful. Sort of musical matter for Music Matters! Well done Gareth, looking forward to even more daring tunes
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Brilliantly explained ... I think i have found my style ... If I ignore the rules!. PS I did actually enjoy the serialism theme but suggest you stick to the original.
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Excellent video. You explained Serialism more clearly in 8 minutes than some lecturers have taken hours to do! :-) Thank you for these videos. All the best.
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It's funny, I've tried to understand this topic for years but you dd more to help me learn how to compose in this style than anybody else. Cheers!
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I have never heard of this Major/minor breakdown thing (am not a musician lol) - have you done a video about it, and if not could you do one please?
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Nice examples. I remember seen this at music school but only a few minutes. So it was refreshing and educational. Thanks.
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