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zakruti.com » Humor, fun and entertainment » Indy Mogul
How Do Visual Effects Actually Get Filmed? Technique Breakdown With Jaron Presant, ASC

How Do Visual Effects Actually Get Filmed? Technique Breakdown With Jaron Presant, ASC

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Rating: 4.0; Vote: 1
Jaron Present, ASC Cinematographer, breaks down three scenes from the movie Rampage and peels back the curtain on big VFX Hollywood blockbusters. He talks to us about how to shoot for VFX and hanging 100 Skypanels in a studio helicopter rig
Date: 2022-09-13

Comments and reviews: 20


These interviews, like this and the guy that did 300, are better than the best in depth cinematography break downs. Real shooters really showing and telling real secrets. This makes the third life of indymogul a real indymogul experience. Beck gave us great DIY fx and prop techniques, Griffin launched a generation of competant and knowledgeable videographers, and these interviews are giving us proper blockbuster knowledge and techniques. Thank you for bringing us this, bring us more, #teamgodox
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I love this video. As much as I am not a fan of diaster movies (Also I feel bad for Dwayne Johnson that he is always casted in those movies) it was interesting to hear about how some things were done that could be used in, being a bit blunt and harsh, a better story driven movie besides those disaster movies (I lump any diaster or apolitic movie in that excluding space ones.
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Holy jamoley. So many high-end techniques in one episode. Jaron is an incredible talent and a fantastic guy to hang out with. Go give him some love on his website. For the full discussion, check out the podcast. Also thank you to Storyblocks, go give them some love! www. storyblocks. com/indymogul
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What was the deal with what he was saying about film grain? You kind of just summarized it by him saying it gives and organic feel but he seemed to be arguing that film grain actually decreased it naturalness by introducing sharpness.
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Very interesting!
The next time you interviewed a cinematographer who worked on 3Ds movies (stereoscopic, could you ask him how he integrates this parameter into his work (be it shot natively in 3D or in conversion)? Thank you

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This episode was just simply amazing. Watching videos like this makes me realize how little I know about lighting and how much I still have to learn. Amazing. Please bring more interviews like this!
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It makes life sooo much easier for VFX if things are prepared in advance, I have done countless jobs where the VFX are an after thought. Although it is much more satisfying solving those problems.
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Are proxy sets rotoscoped, or can gray be keyed relatively easily nowadays? Or is it not really gray, but retroreflective with a green light ring around the camera or something of the sort?
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Its kind of crazy of much money gets spend on these things. Its almost not filmmaking. Its like creating a huge sports event for like 2 hours that most people wont remember after 1 year.
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It's always amazing the amount of people, technology, knowledge and sets with complicated setups that are needed to make this blockbuster movies, that at the end of the day I will never watch
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Wow. wow. more wow! That was fantastic! So much to see and learned from this collaboration! THANK YOU JARON! Whatever you two do in life, NEVER try to become a Storyboard artist; )
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Okaaay. this was mindblowing (cue FX. I had to rewind so many times because there was so much information to take in. Jason deserves a part 2, if you can get him on the show again.
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I would love to work with you. I've gotten SO many plates that just used NO thought to lighting and it's on VFX to make it look good.
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Glad he clarified that little detail at 3: 06, not really something that sounds normal when you say it out loud to people casually haha.
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One good thing about green is that it's opposite skin tone. so spill is very easy to remove without affecting the image.
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Fascinating. Also I have no idea how you're supposed to act with barely anything real in the scene with you. Crazy.
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Can we get gerald undone to breakdown how film grain actually makes us perceive an image as being sharper?
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Using a giant green light to serve as a green screen that can double as a giant light source? That's brilliant.
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This was amazing to watch. Even tho I didn't understand much of what was being said, it was really informative.
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Our job is trying to fake the god, the creator, we can only do it as close as we can, but NEVER surpass him.
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